History of the Bookplate
Origins in Ancient Egypt
Replica of Amenhotep III’s clay tablet, the oldest known bookplate
The oldest known precursor of the bookplate is an Egyptian fired-clay tablet preserved in the British Museum. It contains a hieroglyphic inscription indicating that it belonged to the library of Pharaoh Amenhotep III, who ruled Egypt between 1391 and 1353 BC.
The Middle Ages and the birth of the modern bookplate
In the Middle Ages, the first handwritten ownership marks appear in manuscripts. However, the bookplate as we know it today emerged alongside the printing press, and its development has been closely linked to the art of printing.
Hans Igler (1450)
Germany is considered the birthplace of the bookplate. The first documented example is that of the cleric Knabensberg, known as Hans Igler (“John Hedgehog”). It depicts a hedgehog eating wild flowers.
Wilhem von Zell (1470)
The second dated bookplate is that of Wilhem von Zell, from a Bavarian family with a fine library later transferred to the Buxheim Charterhouse. The shields symbolize the owner and his wife.
Hildebrando Brandenburg (1470)
Another of the earliest is the bookplate of Hildebrando Brandenburg of Bilberach, a monk of the Buxheim Charterhouse, to which he donated his library. His colored bookplate shows an angel holding the family coat of arms.
The Renaissance and the spread of the bookplate
During the Renaissance, bookplates spread throughout Europe along with the printing press. Artists such as Albrecht Dürer in Germany or Lucas Cranach the Elder began designing bookplates for the nobility and the clergy.
Chronological evolution of the bookplate
- 1391–1353 BC: Tablet of Amenhotep III (Egypt)
- 1450: First known bookplate (Hans Igler, Germany)
- 1470: Bookplates of Wilhem von Zell and Hildebrando Brandenburg
- 1503: Albrecht Dürer creates bookplates for Willibald Pirckheimer
- 16th century: Expansion across Europe
Art Nouveau and the golden age of the bookplate
Art Nouveau bookplate from the early 20th century
With Art Nouveau, the use of the bookplate gained momentum and became a vehicle for artistic trends. From this period onward, monographic studies began to appear, the first bookplate collectors emerged, and exhibitions were organized.
In this way, the bookplate became an instrument that, beyond showcasing an artist’s work, also fulfills its original purpose (marking the ownership of a book) and satisfies the interests of collectors.
Artistic bookplates
During Art Nouveau, artists such as Aubrey Beardsley, Alphonse Mucha, and others created bookplates of great artistic value.
Collecting
The first systematic collectors appeared, and exchanges among enthusiasts became established.
Exhibitions
The first exhibitions dedicated exclusively to the art of the bookplate were organized.